Things I can't quit: Film photography and Emacs
I know that film photography and Emacs are completely unrelated, but I have been thinking about both of them quite a lot recently.
Since moving back to shooting film in 2003, I have regular thoughts of switching to all-digital again. It's just easier. I have rooms full of "stuff" in support of film photography, and things would become so much faster and easier without all of that. A nice digital camera, a good RAW editor, an inkjet printer, and some hard drives, and I'm all set.
And yet, I still enjoy shooting film and have found it impossible to quit. I like how film looks, I enjoy working in the darkroom, and I love my Leica rangefinder cameras. Having binders full of negatives sitting on my shelves is a comfort to me. They're real, you know? I prefer real things.
In a completely different arena, I would like to stop using Emacs for everything. The great benefit of Emacs, that it can be anything and do everything, is for me also its greatest drawback. I can't stop futzing with it. And I can't stop trying to use it for freaking everything all the time. I just need to write stuff and keep track of some tasks. Why then do I use it to read email, RSS feeds, Mastodon, and whatever other things I can shoehorn into what should be a simple text editor?
So, I frequently fire up Obsidian, BBEdit, Logseq, Roam, iA Writer, TheBrain, Tinderbox, and oh right, none of these does the things Emacs and Org-mode can do quite as efficiently and with so much flexibility. After a few days away, I end up back in Emacs and farting around with capture templates or trying to decide between Denote and Org-roam.
The truth is that I'll probably always shoot film and I'll probably always use Emacs. I just wish that I could convince myself of this, then move on and actually do something creative or useful with them.