I’ve been feeling a need to simplify things and I’ve decided that one of those things is my domain names. My days of hoarding domain names, just in case, are drawing to a close. I don’t want the hassle of managing a bunch of zones and I don’t need the fees. To that end, I’m working toward moving everything to subdomains of baty.net. I’ve already moved my wiki from rudimentarylathe.wiki to rl.baty.net. I considered wiki.baty.net and may still use that instead. ...

This roll was mostly me plinking around the house trying to get through a roll in the M6 before the MP is back from Leica. I love the 50mm Summilux very much.

Which is right for me, streaming or buying my music? TL;DR: Both Phil’s recent note about streaming vs “owning” caused me to review how I think about it. My attitude about “owning” music continues to evolve. One advantage I may have is that I don’t think of streaming services as music that I “rent” and that can be ripped out from underneath me any time. To me, streaming services are $10/month commercial-free radios that let me play DJ. I never worry that, if they disappear, I would no longer have access to that music. The most I’d lose would be my playlists and an educated AI. That doesn’t concern me at all. I don’t make playlists. I almost always listen to albums, as god intended. ...

I’ve gone through many photographic workflows. Each time, I’m certain that I’ve figured out what works best for me. Finally! Then a few months later I switch back or come up with something new. I wish I would stop doing this, but I probably never will. So, I have a new workflow ???? There is a part of me that really wants to let Adobe deal with everything. Wouldn’t it be great if I didn’t have to organize, store, back up, or otherwise manage tens of thousands of image files? I could just use Lightroom (desktop) and let the cloud take over the rest. Except I can’t. I have proven myself incapable of giving up control over the files. I have decades of images stored in nicely-organized, dated folders. I know where they are. I know how to back them up. It feels safe forever. ...

My home office environment was getting out of hand, clutter-wise. They say that a messy desk is the sign of a creative mind. Maybe so, but I’m more of a tidy desk person. I’ll sometimes notice that I’m easily provoked, frustrated, or otherwise feeling edgy. Then I’ll clean my office and I always feel better. The worst thing for me is to set something on my desk because I don’t yet know where I’m going to put it. Then it just sits there, for weeks, nagging me out of the corner of my eye. Drives me nuts. Or, I’ll knock something over or cords will tangle or I’ll be unable to find something because it’s under something else. Aargh! ...

I’m not sure I’ll ever be capable of sustaining an ongoing “meditation practice”. The idea of regular meditation is compelling, but after many attempts I’m starting to think it may never stick. This is likely because I’ve not practiced long or consistently enough, but my brain just refuses to stay quiet or focused. Instead, I’ve been making daily drawings. Or, more precisely, “doodles”. I find that mindlessly drawing random or repeating patterns soothes me. It’s a relaxing form of perhaps, if not meditation, mental relaxation. And calling them doodles helps me to avoid the feeling that they are “bad” drawings. It doesn’t matter. ...

I’ve used many wonderful film cameras from many different systems: From Nikon F to Hasselblad V to Linhof, Olympus OM, etc. They are all great in their own ways, but none of them comes close to making me feel the way I feel when picking up a Leica M camera. Sure, every film camera is essentially “a box for holding a lens and some film” but calling a Leica M “just another film camera” is to me like calling Jesus Christ “just another homeless dude”. ...

The Leica SL series of cameras are special, but not unique. I had an original SL and then bought the SL2-S when it was released. It’s a capable, well-built, beautiful camera. But, if I’m being honest, it’s just another mirrorless camera system. And it was very expensive. Purchased today, my kit, consisting of the SL2-S and the Leica APO Summicron 35mm and 75mm lenses would run close to $16,000. Um, who do I think I am? ...

Jess and I had lunch at Booyah’s in Muskegon. I had the Q2 Monochrom with me so I made a few snapshots.

I discovered, while rummaging through a drawer, that my Nikon F-100 was loaded with film; Fujifilm Superia, a color film. I’ve pretty much sworn off color, but what the hell, I threw a little Godox flash on the F-100 and burned through the rest of the roll. I still had some C-41 chemistry mixed, but it was well past its prime. As is often the case with color film, it was a bust. For some reason the Flash, while it seemed to be firing, left most frames wildly under-exposed. There’s no getting away with underexposing color film. The results were mostly horrible. Oh well. It was fun to use the Nikon again. ...

Late last year I printed a couple (black and white) photos, scanned from film negatives, on my Canon Pixma Pro-100 inkjet printer and I loved them. “There! I’ve finally figured it out!”, I said at the time. Today, I thought I’d make a couple more prints, also from black and white film scans. The difference was that I have a new computer and never copied the ICC profiles for my paper. I spent a few minutes installing the profiles, made sure the Canon driver was up to date, fired up Photoshop, loaded the printer with Canson Platine Fibre Rag paper, and hit “Print”. ...

The above photo is a good family photograph. Why? Because it doesn’t just capture members of the family, it captures a family moment. So many family photos are smiling selfies taken at arm’s length. Selfies say, “Here these people are.” but not much more. They’re fine, but ultimately not much more than basic record-keeping. I much prefer photos showing family simply living and interacting in their natural habitat. Here’s another from the same roll: ...

I finished a roll in the MP today by taking a bunch of self-portraits in my basement “studio”. The shots in which you can see both my hands were triggered by stepping on the release bulb. Clever! 🙂 I really like the look of these. They were shot in my basement with a new canvas backdrop. I used two Profoto strobes. One with a softbox (octogon) to camera left, and a second with a reflector at camera right pointing at the backdrop. I’m learning. ...

I was tinkering with the strobes and standing there with the Leica Fotos app triggering the camera and lights, I eventually ran out of normal faces to make so started getting a little silly. So this happened (photos uncropped and unedited from the Leica Q2 Monochrom).

Once it a while, a 50mm lens on the Leica M3 is exactly the right thing. I finished the roll and had a ball doing it. Nothing great came out of it, but sometimes that happens. Gail Steve at Hopcat with gift cards Moccamaster Self-portrait with M3 Alice

I’m trying to see how the Summilux 35mm ASPH feels on the film M. Running around indoors with a moving dog and poor light is either a terrible test or a perfect test. Anyway, here’s Alice. Alice with her toys Alice Alice and “Gordo” Alice and Gordo Alice watching for something to bark at Alice in bed

Leica MP with 35mm Summilux ASPH This is a really nice camera.

Most of the shots on this roll were taken indoors in low light, so the Summilux was at either 1.4 or 2.0, meaning I missed focus quite often.

I kept a “daybook” using Tinderbox for years. I drifted away from Tinderbox for a few years after I became infatuated with Linux or iOS or other “cross-platform” systems. Right now, I’m back with a vengeance. While rebuilding my Daybook, I wanted to make logging my weight easier. It’s not like it was difficult, but I wanted to tweak it. Tinderbox is an outliner, so my weight entries are collected under a “Weight Log” node. It looked like this (I obviously wasn’t consistent with tracking last year). ...