Fiber-based silver gelatin prints are a wonderful PITA
I hate making fiber-based silver gelatin prints in the darkroom. But I love having them to hold and to hang.
Fiber-based papers have this deep, magical sheen, and the surface is smooth yet has a distinct, subtle texture that is missing from resin-coated (RC) papers.
Compared to RC papers, fiber-based paper takes twice as long to process. It requires additional washing and optional toning steps. It eats up fixer and takes more trays than I have comfortable room for. It must be washed for up to an hour. And then there’s the curling, so I have to press the prints under heavy books for a few days before I can do anything with them
Just look at this example. It’s ridiculous.
A recently-dried fiber darkroom print.
I gave up on fiber a few years ago, but have been having second thoughts. A fiber print feels so good in hand. Heavy, smooth, and solid, somehow. And there’s no escaping how great they look. I’ve been asking myself if maybe it’s worth the trouble after all. I made a few prints this week and yes, it is definitely worth the trouble.
A recent print of a favorite negative. On fiber.